SummerFall (& Final!) Martial Arts in Media 2016

This may, or may not, be a momentous bang and/or whimper occasion. I can’t remember exactly when I started writing this column for the gone-and-might-be-forgotten (albeit, in some quarters, fondly remembered) Inside Kung-Fu magazine, but I seem to recall it was around 1991. That makes it a nice round anniversary, since the final issue of
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A History of Disrespect

In “honor” of Crouching Tiger Hidden Dragon: Sword of Destiny, I have been re-linking to my now somewhat (in)famous editorial for Daily Grindhouse about The Weinstein Company’s campaign to marginalize and minimize Asian action cinema … only to find that the Daily Grindhouse site is M.I.A. … maybe temporarily, maybe forever. In any case, thought
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Martial Arts in Media Summer 2015

So there I am, clutching a box of chocolate-covered peanuts, feeling like a kid at a Saturday matinee, waiting for Mission Impossible Rogue Nation to whisk me away for a globe-hopping, action-packed joyride — when, right there on the big, modified Imax screen, comes the production company title cards. Sure, there was J.J. Abrams’ Bad
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2015 SanDiegoComiCon KungfuExtravaganza Playlist!

The 18th Annual San Diego Comic Con Superhero Kung Fu Extravaganza is a wrap, and was awesome sauce – thanks to you, my co-hosts, Well Go USA, and all the filmmakers who made the eye-bulging, jaw-dropping clips we showed. So, as is the relatively new tradition, here’s a run down of what we showed (and
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Martial Arts in Media Spring 2015

Any filmmaker who prize their creative freedom may never make another film in China, unless they need money or things change. At the moment all Chinese filmmakers (Hong Kong included/especially) have to brave the gauntlet of Governmental review at the start and end of production (at the very least). Even for those willing and able
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Martial Arts in Media 11/13

Oh brother. First, I’m sorry this column is so late in the month, and second, sorry it’s going to be so short. Anyone who knows me probably understands at least one of the reasons why this is such a busy time of the year for me (hint: ho ho ho, second hint: santaconfidential.com). But also,
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Martial Arts in Media 9/13

I’ll tell you the truth. After having seen the Hong Kong DVD version of The Grandmaster several times, the San Diego Comic Con version, and now the Northeastern American theatrical release, I can’t be sure what’s in which cut anymore. But I’m fairly certain that the latter edition – the one that is now being
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Jackie & Me

It’s time I face it. Jackie Chan’s my martial art movie muse. His Drunken Monkey in a Tiger’s Eye (Drunken Master, 1978) was the film that inspired me to write my first martial art movie book (which was published in the early 1980’s). I had already seen Five Fingers of Death and Enter the Dragon,
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Martial Arts In Media January 2013

Well, Jackie Chan’s “last” kung fu film, Chinese Zodiac, AKA CZ12, came out in China in 12/12 (but don’t worry: he’s already announced a new Police Story and Rush Hour film). And, as its many coming attraction trailers and posters seemed to promise, it was essentially a remake of Operation Condor; complete with dithering, automatic-weapon-bungling
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